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When Mike and Storrow arrive at Mattie’s trailer, they are stunned by her beauty. The group prepare for their picnic and play Frisbee. Mike retrieves Mattie’s boombox so that they can dance. Mike is once again stunned when Mattie starts dancing. He thinks about everything he has missed about life after four years of grieving.
The group cook their steaks before the storm rolls in. They all agree it is the best meal they’ve ever had, and Mattie tearfully expresses her gratitude for everyone’s help. While bringing Kyra up to the trailer for her nap, Mike sees a blue car pass by. The car has a bumper sticker from Buddy’s Diner. Mike expects that everyone else in town has gone up to the nearby church for Royce’s funeral. Mike can hear them sing their hymns.
After putting Kyra to sleep, Mike finds Mattie in the doorway. Pressed together in the narrow space, they both express their mutual desire for one another. Mike promises to come back later that night, admitting how lonely he has been. They kiss as the rain starts to fall. The men outside ask for help in carrying the things in. Mattie heads out first to help. Mike hears thunder, then gunfire.
Mike rushes out and sees that Bissonette and Storrow have been hit by bullets. They take cover as the blue car returns for a second pass. Kennedy draws a gun and fires back at the assailants. Their car rolls over into the ditch and starts burning up. Mike checks on Mattie and sees that she has been hit in the head. As she is bleeding out, Mattie tells Mike to get Kyra.
Storrow loses consciousness from the shock. Kennedy pulls the gunman out from the car. Mike holds Mattie in his arms as she dies.
Mike slips in and out of his subconscious trance as he and the legal team regroup. The captured assailant, revealed to be George Footman, begs the men to save the driver from the burning car, but it is already too late. Mike has a vision of the townspeople at the funeral, cautiously waiting for news of Mattie’s death.
Bissonette confirms that Kyra is safe. It is impossible to contact emergency services because of the oncoming storm. While Mike is searching for something to stop Kennedy’s bleeding, Kyra wakes up and instantly understands that her mother has died. Mike tries to hold her back as he becomes aware that others are coming from the chapel. Bill is the only one who stays, fighting off the unseen force that is making him go.
Mike gets a spiritual message to leave at once. When Footman refuses to admit who hired him, Mike hammers him in the head, knocking him out. Before they leave the trailer, Kyra demands that they take her stuffed dog, Stricken, with them. Mike drives away to Sara Laughs with Kyra, narrowly escaping Buddy and the other men.
Mike drives through a storm of lightning and hail. By the time they reach the house, it is raining. Mike carries Kyra out of the car, but she drops Stricken and asks Mike to retrieve it. Stricken gets stuck on three sunflowers. To Mike’s terror, Stricken’s fur has turned black in the rainwater.
Mike tries to comfort Kyra. Kyra registers that they are not alone, however, having seen the ghosts of Black people around the house. Kyra also catches glimpses of Mike’s thoughts, signaling that she is in a trance state too. Mike gives Kyra Benadryl to help her sleep, telling her it is “sadness medicine.” He affirms his promise to take care of her.
While in his trance, Mike starts filling the bathtub with water, preparing to drown Kyra and die by suicide. Jo and Mattie’s voices both tell him to stop. Finally, Mike goes down to the fireplace when he hears Bunter’s bell ringing. He removes the bell, but is struck by a gust of wind and hears the word “nineteen.” This turns his attention to his manuscript, which has come loose in the gust. He checks page 19 of his manuscript and sees an acrostic message that reads: “owls undEr studIO” (459). The same message appears on every page of his manuscript.
He realizes that Jo had bought the plastic owls to ward off evil spirits, following their function in Indigenous American folklore. He also realizes that Jo’s spirit had helped him to overcome his writer’s block, writing the manuscript just so that she could tell Mike about the owls.
On his way to Jo’s studio, Mike sees Sara and the faces of the vengeful dead urging him to kill Kyra. Mike refuses, acknowledging Kyra as his daughter.
Mike struggles to open the door to Jo’s studio, which he believes is being held back by Sara’s ghost. Mike understands that Sara has been influencing the townspeople all along. Mike asks for Jo’s help and successfully enters the studio. Sara’s ghost throws things around, getting into a fight with Jo’s spirit.
Mike finds a trapdoor under the studio. It leads to a storage space, where Mike sees the ghost of a Black boy trying to ward him away. Mike reminds the boy that he isn’t at peace. He finds the plastic owls and sees one of them has been hollowed out. Inside is a box of Jo’s. The box contains documents of her research, as well as the negative of her swimsuit photograph. Jo had hidden them on her last visit to Sara Laughs.
Mike reads an 1865 newspaper clipping about Jared Devore’s return from the American Civil War and realizes that he would have been much older than Sara Tidwell when she settled in Tidwell’s Meadow. He also reads a 1933 clipping about Bill Dean’s father, Fred, losing his daughter, Carla, while trying to rescue her from the TR-90 wildfire. The article frames her death as accidental. By the time Fred found her, she was already dead.
The last clipping triggers a vision of the past. Mike sees that Carla had located Fred after all, but Fred took her to the lake and drowned her. Mike tries to interfere in his vision, convinced that Carla is his daughter, Kia. He cannot grasp her because he is only a ghost through time. Mike reawakens under Jo’s studio and resolves to end the curse.
Mike goes through Jo’s notes and finds a genealogy for his family. The family tree reveals that Mike is distantly related to Kenny Auster. This explains why Kenny and Bill had elected to stay away from Sara Laughs on the day of the storm. They knew that one of them would have to kill Kyra, leaving Mike behind to fulfill the curse.
Kyra is still asleep when Mike returns to the house. Mike realizes that Jo had kept her pregnancy a secret from him because she had already discovered the truth about the curse and feared for Kia’s life. Mike struggles against the influence of the curse and succeeds in draining his bathtub. Mike resolves to help Sara find peace to end the curse.
Mike packs several tools, including the Stenomask, and brings them to the Green Lady, which he deduces is the site of Sara’s burial. On the way, he encounters the ghosts of Max, who has blended with Jared, and the men from the Fryeburg Fair. Max-Jared explains that TR-90 had been idyllic in his time, but it has since lost its beauty. They want to reclaim the beauty of the world they knew, which they claim was stolen by Sara when she assumed she could “walk there like a white gal” (483). Max-Jared pretends that nobody wanted to engage with Sara, but Mike sees through his lie, indicating that Sara fit well into the life of the town.
One quiet Sunday, while most of the town was at church singing hymns, Sara had been walking around the lake when a group of men led by Jared harassed her. Mike’s granduncle, Harry Auster, was among them. Sara argued that she was walking in a common area, but the men refused to let her pass. While blocking her way, Jared tripped on a rock and split his pants. This caused Sara to laugh. Jared and the men grew even more angry and raped her. On his way home from picking berries, Kito stumbled upon the scene and tried to get the men to stop hurting his mother. The men apprehended Kito.
Mike reaches for his Stenomask during a reprieve from his vision. He digs into the spot where the Green Lady is pointing and hears the voice of Sara urging him to stop. The Green Lady turns into Sara and tells him that she won’t be done with her revenge until Kyra is dead. She wants to take Kyra in exchange for Kito. Sara transforms into the shroud-ghoul that appeared in Mike’s nightmares. Jo’s ghost appears as well and holds Sara back, claiming that Sara brought in an “Outsider.” As they scuffle, Mike digs into the spot, seeing the moment Jared decided Kito must die. Harry Auster drowned Kito. Sara suffocated and died soon after.
Mike excavates the corpses of Sara and Kito, dissolving their bones with lye. Sara’s spirit fades away. Jo remains and, although Mike can no longer hear her voice, he can tell that she is saying her magic words again before she disappears. He soon hears a voice alerting him to check on Kyra. When Mike returns to the house, Kyra is missing.
Mike can no longer feel Kyra or Jo in his mind. He finds a strand of white hair in the house, hinting that Whitmore abducted Kyra. Although Max’s funeral was held in California, Whitmore had remained in TR-90 all along.
Mike follows the lake path down to Warrington’s, which has been greatly damaged by trees that fell during the storm. He hears Kyra trying to get away from Whitmore, so he intercepts them at the collapsing dock. Mike nearly sneaks up on Whitmore but Kyra gives him away, so he runs up to Whitmore and combats her. In the ensuing scuffle, Mike tears off Whitmore’s wig and initially thinks that she is Max in disguise. He soon realizes the truth: Whitmore is Max’s daughter.
Mattie’s ghost takes the form of water and pulls Whitmore off the dock. Whitmore grabs Mike’s hand for safety. Mike tries to shake her off. Whitmore is ultimately impaled by a sharp piece of dock wood.
Kyra tries to embrace her mother through the water, begging her to stay. Mattie tells her something Mike cannot hear, then vanishes into the lake. After Mike ushers Kyra to safety, Kyra tells him that Mattie told her to be good, but not sad. Kyra finds this difficult to do. She whispers another message to Mike, to which he nods.
As Mike and Kyra recuperate from the storm in Sara Laughs, Kyra decides that she no longer wants to wear ribbons in her hair. Mike burns the ribbons in the woodstove and throws in his manuscript for My Childhood Friend as well. He explains that the manuscript was a love letter and that it is bad to keep love letters around because they will haunt him. Mike gifts the box from Jo’s studio to Kyra because she finds it so pretty. She promises to put treasures in it and recalls that Jo is one of her “fridgeafator people.” Mike shows her the photo negative of Jo.
The county sheriff visits Mike to ask if he has Kyra in his custody. Mike presents her while she is sleeping.
Mike and Kyra spend the following Christmas with Frank. Mike is in the process of adopting Kyra, but the legal process is slow because he is applying as a single father.
Mike tells Frank everything about his experiences in Sara Laughs, including the influence that the curse had on him. It is also revealed that Whitmore was lying about Mattie’s inheritance: Kyra will receive none of Max’s wealth. Storrow is traumatized by his experiences and has become a more serious person. He is optimistic, however, that Mike will win custody of Kyra. It is also revealed that Mattie’s final words at the dock entrusted Kyra to Mike’s care.
Frank acknowledges that he believes everything Mike has told him because Jo and Kyra believe in it too. Since the day of the storm, Mike has found total quiet in Sara Laughs. He still lives there, having sold his Derry house. Mike reveals that Footman was incarcerated for his role in Mattie’s death. Osgood was the driver of the car. Whitmore’s relationship to Max is confirmed, though it is also discovered that she had leukemia and was wearing a wig to hide her baldness. Mike intuits that Whitmore wanted to kill Kyra for the same reasons Max set the fire when he left TR-90 in the 1930s: It exemplifies her inheritance of Max’s covetous nature. Max had really planned to keep Kyra for himself, but when he returned to TR-90, Sara’s influence drove a subconscious desire to kill her instead.
Mike feels sorry for Sara, knowing that her revenge was warranted. Having gone through Jo’s research notes, he learns what happened to the crying boy, Reg Tidwell, Jr. Following Sara and Kito’s deaths, the Tidwells remained in the meadow to bring justice to their family. The old-timers set up a trap for Junior, killing him to scare the Tidwells away.
Mike also discovers that the Green Lady didn’t mark the spot where Sara and Kito were originally buried. The men who were haunted by their roles in the killings moved the bodies to put their spirits to rest. Frank intuits that the transfer was influenced by Sara’s ghost, enabling her to curse the lake residents. Similarly, Jo had influenced Mike’s return to Sara Laughs, hoping that he would save Kyra from Max and Sara. Mike remains cautious about the “Outsider” that used Sara’s ghost to do its bidding and worries that it will come back for him.
Mike has given up writing, though he has yet to tell Harold about his retirement. The decision stems from Mattie’s death, which makes the deaths he often writes about feel in poor taste. He relates his decision to that of English novelist Thomas Hardy, who gave up fiction writing after finishing Jude the Obscure because he felt the exercise had become futile. Recalling Bartleby, the Scrivener, Mike ends by saying he “prefers not to” write.
King has spent the novel laying out the pieces of the mystery at the heart of Dark Score Lake, running under the narrative thread of Mattie’s legal troubles. It isn’t until the final chapters that the pieces of that mystery are finally put together, presenting a clear picture of the historical rot that results in Mattie’s exclusion and the threat to Kyra’s life.
The revelation of the town’s history drives a sense of resonance between the past and the present, invoking The Cyclical Nature of Trauma and Violence. TR-90 is a town frozen in time, thanks to the way its folksy old-timers choose to shun those they consider outsiders. Even though Mattie is white and does not suffer the same kind of racist harassment that Sara suffered, they are both treated harshly by the senior Devores and the other old men in the town. The novel also draws a parallel between Max and Jared, as their spirits merge into one being during their last confrontation with Mike. Jared wants the access to Dark Score’s paradise to remain exclusive to whomever he chooses. Max has inherited this sense of entitlement, demonstrating it in his objection to Mattie’s inclusion in his family. Mattie’s death is not inevitable, though it is a byproduct of the town’s racist history thanks to the curse. The past thus remains living in the attitudes and behaviors of those who live in the present.
Mike is not exempt from this curse, as he soon discovers his own dark family secret. The hints that he has a blood connection to the town are fully explicated through Jo’s research. He has always been drawn to it, lending an explanation to the trance-like abilities that allow him to visit the town’s history, see its ghosts, and psychically connect with Kyra. The curse also starts to influence Mike in malevolent ways: He calmly prepares for his and Kyra’s deaths, unaware that he is acting according to Sara’s bidding. The calm and deliberate way he behaves reinforces the horror of his actions, as he almost fails to stop himself from killing Kyra.
Mike also discovers that his granduncle killed Kito, giving Sara an even stronger motive for seeking vengeance against him. Sara and Kito’s violent deaths reflect both the town’s deep-seated racism and its misogyny, further revealing the traumatic history that lies beneath the town’s idyllic exterior. In seeking to curse the residents and force them to kill their own children, Sara perpetuates the cycle of trauma and violence by ensuring that each new generation of townspeople suffers the way she did in losing her own son. Mike’s success in dissolving the bones and granting both Sara and Kito peace ends this cycle, both literally and figuratively: In a literal sense, he ends the curse that has plagued the town, while in a figurative sense he breaks the cycle by exposing the town’s dark secrets instead of allowing them to remain buried.
Mattie’s death and the dramatic events afterwards contribute to Mike’s ultimate decision to stop writing, bringing the thematic exploration of The Tensions Between Truth and Fiction to a close. At the start of the novel, Mike’s narrative arc was defined by his desire to separate his writing process from his relationship with Jo. The middle of the novel saw him succeed in returning to his creative endeavors, but this was done through Jo’s influence. He was not writing because he had rediscovered his creative drive, but because Jo was using his creative process to send messages to him. Once he resolves the haunting of Sara Laughs, he realizes that writing fiction no longer feels as powerful as it did when Jo was alive. He also objects to the bad taste he feels his writing has when placed against the real-world death of Mattie. Fiction can no longer stand up to the real thing in his eyes. He understands that he has the power to affect the world, which is symbolized by his efforts to adopt Kyra. The adoption gives him hope for the life ahead of him, renewing his sense of personal drive and giving him the chance at fatherhood he always wanted.
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By Stephen King